Designer Set
Your price for the entire Designer Set containing 32 families:575 €
(17.97 € per family)
Aichel
The entire Aichel family contains 1 font(s)
Alcoholica
The entire Alcoholica family contains 3 font(s)
Bahnhof
The entire Bahnhof family contains 5 font(s)
Biblon
The entire Biblon family contains 16 font(s)
Clichee
The entire Clichee family contains 4 font(s)
Cobra
The entire Cobra family contains 2 font(s)
Compur
The entire Compur family contains 3 font(s)
DynaGrotesk
The entire DynaGrotesk family contains 72 font(s)
Excelsor Script
The entire Excelsor Script family contains 4 font(s)
Farao Complete
The entire Farao Complete family contains 12 font(s)
Genre
The entire Genre family contains 8 font(s)
Ideal Gothic
The entire Ideal Gothic family contains 6 font(s)
Kompressor
The entire Kompressor family contains 4 font(s)
Lexon Gothic
The entire Lexon Gothic family contains 8 font(s)
Libcziowes
The entire Libcziowes family contains 1 font(s)
Lido STF
The entire Lido STF family contains 6 font(s)
Modell
The entire Modell family contains 3 font(s)
Monarchia
The entire Monarchia family contains 4 font(s)
Mramor
The entire Mramor family contains 16 font(s)
Negro
The entire Negro family contains 1 font(s)
Ohrada+Normalstock
The entire Ohrada+Normalstock family contains 2 font(s)
Ozdoby
The entire Ozdoby family contains 1 font(s)
Patzcuaro
The entire Patzcuaro family contains 1 font(s)
Pentagramme + Pentagraf
The entire Pentagramme + Pentagraf family contains 12 font(s)
Plagwitz
The entire Plagwitz family contains 1 font(s)
Regula
The entire Regula family contains 2 font(s)
Rondka
The entire Rondka family contains 1 font(s)
Splendid
The entire Splendid family contains 4 font(s)
Tenebra
The entire Tenebra family contains 3 font(s)
Teuton
The entire Teuton family contains 21 font(s)
Traktoretka
The entire Traktoretka family contains 3 font(s)
Zeppelin Complete
The entire Zeppelin Complete family contains 42 font(s)
Typographical visionairies mostly started their career with a play and experiment, by innocent cuddling with graphical symbols, often developing very important milestones on typographic timeline. This is valid for second half of 19th century, in context with a new need of display typefaces raised by the industrial revolution, but also for a period of Bauhaus, when type was an additional field for artistic expression, as wel as for dadaists' visual poem, and after all for recent deconstuctivist typography reflecting the chaos of post-industrial civilization. Identity crisis was always a cradle of creative powers, refusing of conventions and enjoying new, fresh graphic style. Designer of all manners is today a very influent domain, with ability to involve masses. A good campaign requires original font, unique and remarkable, in order to assure a new graphical identity.