Reliable scientific sans-serif.
Great for office, poetry, signage, branding etc.
On a sans-serif basis it contains trapezoid ascenders, balls & rounded ears, which may resemble the serif feel in smaller sizes, thus long reading is surprisingly easy.
Andulka was drawn in 2004 for the purposes of publication and visual identity.
Dynamic humanist sans-serif.
Art-Deco grotesque with new lowercase in 2023.
Beletrio was made as companion to Beletria, it has many shapes in common.
There is a moment in everyone’s life when they start wearing glasses and I am no exception.
Good for your eyes.
A perfectionist sans-serif by Rostislav Vaněk.
The most exciting new feature of DynaGotesk is the Vintage Italics stylistic set, which activates the decorative forms.
Industrial, calm and solid, ideal for branding design.
Header includes hybrid glyphs encoded where small caps are normally found: turn the Smcp on to see it here.
My juvenile design.
Designing font family systems has become a fashion ever since the beginning of digital typography.
Jasan is the Czech expression for ash tree (Fraxinus Excelsior) which provides great wood for tools and furniture.
Baskerville's perfect companion.
The idea to add an original sans-serif to the Tyfa's Roman got Jan Solpera at teatime in Domanín during the “typographic weather” at the end of October 2013.
A sans-serif that is NOT neutral.
Metron is so far the most ambitious typeface made to order in the Czech Republic.
Quercus C has alternative letters: g, k, l, K, as default to offer cleaner font for those without access to OpenType aware applications.
Quercus was primarily developed as an informational font system and can be used wherever a legible, rational typography is needed.
These fonts have the same glyph palette and functions as any of the Quercus superfamily members.
Another confession of love for baroque typography.
Czech National Bank official font.
Initially, Splendid Sans has been a part of our Splendid Quartett hybrid family since 1998, providing rather experimental contrast to Script and Serif “styles”.
Our eye is able to join missing parts of worn letters back into undisturbed shapes.
A font drawn in a rounded rectangle looks modern – if we do not mind that it was in vogue mainly in the 80s of the last century and was created in the fifties, when various Italian designers noticed that the outline of a glass TV screen is actually the letter “o“.
Teuton, designed in 2002, is immediately inspired by an inscription on one German tomb in the Sudetenland, and also by funeral lettering as performed in the first half of 20th century in glass or granite.
Trivia Gothic draws inspiration from notorious origins, whose features are here conveyed into extremes: a warm expression, sharp diagonal endings of curves and ascenders, and a moderate contrast of shadows.
Another 48-cut family from a typeface system which originally arose from the need to simply explain to some publishers what it is “serif, sans-serif, egyptian”, etc, including their style variations.
Cold, perfect and strict organizer.
New typeface family Vida has been designed in summer 2006.
From what we can tell, Justus Erich Walbaum probably never intended to create a sans-serif typeface.
Outside letterings, either hand-painted or machine-cut, have always a solid skeleton, clearly apparent in all weights and widths.
