Wide packaging nostalgia.
Designed in 1999 for an inscription on Santini's architecture.
The source of inspiration for this design is immediately apparent in its name.
The land of beauteous angels, Andalucia, connects different cultures with a curved arch.
Many visitors to India are already familiar with Bhang.
An example of how a custom font may replace a logo, taking all of its functionality.
Clichee is a result of my juvenile experimentation with the first version of Fontographer back in 1993.
A cross between a Roman type face and a slug, a type face with blurred letters, inspired by a tropical snake remotely contained in the letter "g".
Compur is the name of the most famous photographic shutter of all time.
Derived from the Chříč brewery custom font design, slightly modified and two styles added.
Excelsor Script is inspired by lithographically produced scripts.
Fenix is freely inspired by the nostalgia of late seventies and early eighties.
Carolingian-Roman-Gaelic-Uncial script.
Hammertone is inspired by typefaces typically used for machine labelling in the fifties.
At the turn of the 20th century monolinear alphabets were often despised for their dullness.
The spectacular Libceves gravestone dating from 1591 is completely – from top to bottom, from one side to the other – covered with lettering.
Handwritten Typefaces are extraordinarily popular for their chattiveness & playfulness.
As a boy I used to draw bizarre machines.
A geometric brutalist experiment.
Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family.
Patzcuaro is a summer resort by a lake of the same name.
The connection of typographers and beer has always been a traditional feature of Czech design.
Politic A, B, C, and D, have a very simple construction composed on a grid.
Rondka is a sentimental reminder for those who have forgotten what is a pen with a rounded, flat nib.
Rooftile font idea arose while staring at the ceiling during siesta time in Goa.
The traditional division of a type-face family into four designs pertains to every body type.
In Bucharest in 2007 I've seen an unusual stencil typeface which stands out by his horizontal double strikethrough.
Matrix dot printer font with rounded edges, can be used in extremely small sizes as well as large on posters.
A rather experimental geometric slab-serif typeface with outline and gradient styles providing interesting effects when overlapped.
