The Quercus family of fonts was inspired by classicistic types with vertical shadows.
Tato „variace na Solperovské téma“ vznikla po aktualisaci Areplosu jako pokus o robustnější monolineární protějšek.
This early baroque typographic gem is crafted with passion to variable font.
Designing font family systems has become a fashion ever since the beginning of digital typography.
Tested by centuries of reading.
The standard of the classics, considered by many to be the most trusted typeface in the world.
Baskerville's perfect companion.
The most trusted typeface in the world for best price.
Ready for action and striking messages.
A universal typeface for books, magazines and newspapers is economizing, quiet, strong in drawing, but original and peaceful at the same time.
Andulka was drawn in 2004 for the purposes of publication and visual identity.
A universal typeface for books, magazines and newspapers.
Realiable scientific text workhorse.
Reliable scientific sans-serif.
Small selection for big jobs from serious volumes to fancy invitations, music and poetry.
The goal of Beletria is to be a contemporary looking book typeface for fast reading (frankly, I was already bored of using of good old Baskerville for the volumes I illustrated recently).
Beletrio was made as companion to Beletria, it has many shapes in common.
Contemporary legible font kit.
Jannon, Baskerville, Walbaum and their sans-serif companions.
Modern humanist book typeface.
Dynamic humanist sans-serif.
Dynamic contemporary Roman & Sans at a great price.
There is a moment in everyone’s life when they start wearing glasses and I am no exception.
Originally designed for a fading vision, but soon it became a favourite font for many publishers.
A friendly font for large scientific volumes, but also poetry and small periodicals.
I decided to draw the Regular style of Trivia Humanist not too light and the Bold not too dark.
Cold, perfect and strict organizer.
Contrasting text & headline for great corporate design.
For romantic literature at dawn of the industrial revolution.
From what we can tell, Justus Erich Walbaum probably never intended to create a sans-serif typeface.
