Ready for action and striking messages! While working on this font in Winter/Spring 2024, I came across a news that scared the hell out of me.
Clara system is a superfamily of related sans and serif fonts, ideal for magazine, identity and corporate design use.
Jannon, Baskerville, Walbaum and their sans-serif companions.
A universal typeface for books, magazines and newspapers is economizing, quiet, strong in drawing, but original and peaceful at the same time.
Andulka was drawn in 2004 for the purposes of publication and visual identity.
A universal typeface for books, magazines and newspapers.
Realiable scientific text workhorse.
Reliable scientific sans-serif.
Small selection for big jobs from serious volumes to fancy invitations, music and poetry.
The engraver Jean Jannon ranks among the significant representatives of French typography of the first half of the 17th century.
Designing font family systems has become a fashion ever since the beginning of digital typography.
Tested by centuries of reading.
The goal of Beletria is to be a contemporary looking book typeface for fast reading (frankly, I was already bored of using of good old Baskerville for the volumes I illustrated recently).
Beletrio was made as companion to Beletria, it has many shapes in common.
Contemporary legible font kit.
The standard of the classics.
Baskerville's perfect companion.
A smart selection of four basic fonts at a great price.
Modern humanist book typeface.
Dynamic humanist sans-serif.
Dynamic contemporary Roman & Sans at a great price.
There is a moment in everyone’s life when they start wearing glasses and I am no exception.
Originally designed for a fading vision, but soon it became a favourite font for many publishers.
A friendly font for large scientific volumes, but also poetry and small periodicals.
I decided to draw the Regular style of Trivia Humanist not too light and the Bold not too dark.
Cold, perfect and strict organizer.
Contrasting contemporary text & headline combination for decent corporate representation.
Upon numerous demands of highly esteemed users of our fonts I decided to supplement the Walbaum type family by display and poster cuts.
From what we can tell, Justus Erich Walbaum probably never intended to create a sans-serif typeface.